Vienna may not be the only place you will find a free film festival set up in front of City Hall that shows Mahler symphonies, Humperdink's Hansel und Gretel, Verdi's La Traviata, Mozart's Don Giovanni, etc. But it will be the only place you find where people actually go to it! I have been to see several performance thus far, the aforementioned to name a few, and at almost every one, nearly the seats are taken! Mahler actually drew the smallest crowd, except for tonight since it is like 45 degrees and far too cold to be outdoors, but the rest were very full. By the time we headed to La Traviata we were getting wise and got there early enough to get seats.
Tonight's Don Giovanni was probably my favorite production and it was from the 2006 Salzberg Festival. A Martin Kusej production, it is as thought provoking as ever and worth watching if you have some free time and are in a Mozartian, albeit dark Mozartian mood (you can find the DVD online). The modern set is stark white, with revolving floors, walls and doors all used cleverly to create various effects. In addition to the hospital-like set, there are minimal props, which accentuates the feeling of loneliness and emptiness. In lieu of objects as props, Kusej uses people, to portray various themes or events. In particular he portrays the different aspects of the opera's sexuality using scantily clad woman.
One of my favorite scenes, occurred during Leporello's aria where he describes Don Giovanni's various conquests to Donna Elvira. The stage begins to rotate and Elvira walks through what seem like Bloomingdale's window displays. Each display representing a different demographic of Don Giovanni's sexual conquests. The final display is an unsettling scene of disheveled men and women, which upon the end of the aria, perform an incredibly costume change on stage and transform into the wedding party of Zerlina and Masetto.
Most of the singers were wonderful, I especially enjoyed Christine Schäfer's Donna Anna, which I did not expect. Although except for Thomas Hampson's Don Giovanni, I don't feel as though the acting did well in the conceptualized production, it felt very traditionally Mozartian, which just did not work with this production.
If it weren't for the quality of the production I would not have stuck around until the end, especially considering it was probably about 45 degrees out and my roommate forgot to bring me an extra jacket when she met us at the Rathaus.